Gabino Iglesias
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Erika T. Wurth's novel belongs to a new wave of horror fiction that delivers the creepiness and darkness readers have always associated with the genre, while also packing plenty of social commentary.
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The Passenger and Stella Maris -- the author's first two books in more than a decade — seem to want to decode the meaning of life, both as standalone novels and together as intertwined works.
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Luda is a magical, multilayered, intoxicating story about identity, stardom, performance, lust, and death that could only have come from the prodigious mind of Grant Morrison.
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Javier Zamora's book, as touching as it is sad, and as full of hope and kindness as it is harrowing, is the kind of narrative that manages to bring a huge debate down to a very personal space.
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Raven Leilani's new novel will make you cringe for all the right reasons. It's an intergenerational, interracial love story with a heart of noir and gallows humor, so honest it will make you squirm.
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Betsy Bonner presents her sister with love, but also with honesty; she is the storyteller, but Atlantis Black is the story, the mystery, the victim, sometimes the perpetrator and always the question.
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As "traditional bonds disintegrate in the face of industrialization, urbanization, and secularization, brands and objects become a means to curate and project who we are," writes reporter Adam Minter.
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Ian Urbina combines stellar investigative reporting skills and straightforward writing to convey what lies on the other side of the ocean — opposite cruise-ship vacations to beautiful beaches.
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Timothy C. Winegard has written a well-researched work of narrative nonfiction that offers a history of the world through the role that mosquitoes — and mosquito-borne illnesses — have played in it.
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While the prolific Hollywood writer's career is well-documented, his personal history has been a mystery. His memoir is painful and inspiring, infuriating and full of hope, humorous and depressing.